I ‘m concentrating my studio teaching on Tuesdays in 2018. I have rearranged the space and added a new, larger table to enable up to 4 painters to work seated together at any one time.
Confining my studio teaching to a single day in the week will free up time for my own new work and create the opportunity for a few more weekday one-day courses (particularly in the summer).
I’m really pleased to say that most of my regular students are already booked in for 2018. However, there are still a few places available for new students in the afternoon and evening sessions. As ever, I’ll be focussing on “traditional” drawing and painting skills for those who wish to draw/paint in a “realist”, figurative style – the emphasis will remain on accurate observation of the subject. For a full list of all the dates, please go to the Studio Teaching page here.
I’m very pleased to have been asked to contribute several double-page spreads to this terrific new book from Dorling Kindersley. My contributions were all about techniques for using coloured pencils. In total, I had to create 7 new images together with explanatory text and working photos of the pictures in progress. The book, which was largely produced to a format developed by fellow artist Jake Spicer, is now available in all good bookshops or via the usual Internet shopping sites.
Here are some thumbnails of the pages I was involved with. The work was completed during a very intensive three weeks earlier this year with a lot of “to-ing and fro-ing” with editors, designers and copywriters. The two showcase pictures (“Hubcap Selfie” and “Flamenco in Barcelona”) were done in a single weekend of manic scribbling at a rate of working that was potentially injurious to my health!
I’m particularly pleased with the pages about coloured pencils and the colour space. I seem to unique (to my knowledge) amongst my coloured pencil colleagues in championing (or even using!) the concept of the Munsell Colour Space.
I don’t sell the book. However, at just £20, it is a really substantial (and very well produced) book for anyone interested in widening and developing their drawing techniques.
I’m really pleased to have been booked for ArtWaves this year. Now in its third year, ArtWaves is a visual arts festival based at The Spa, Bridlington and features loads of workshops from a range of well-known artists, demos and an art market. I’ll be there all weekend – live drawing throughout the Saturday and then offering a drop-in drawing workshop and a coloured pencil workshop on Sunday 14th. To book my coloured pencil workshop, click here. The full ArtWaves programme is here: Artwaves-2017-Programme
Lorry will also be there in the art market all weekend with a drop-in air dried clay activity. Pop by and make a hanging ornament out of clay which you can take home and paint when dry.
I’m pleased to be back teaching in my studio again! In 2017, I have increased the teaching days to include Wednesdays. A full list of the sessions for this year is:
Spend time learning and developing your drawing and painting skills with me. The focus will be on traditional drawing and painting skills using oil paint but including charcoal, graphite and coloured pencils. I focus on drawing in the mornings and painting in the afternoons – although there can be some flexibility on this depending on when students are free to attend.
Tuesdays – in 5-week blocks.
17th, 24th, 31st January, 7th, 14th February
28th, February, 7th, 14th, 21st, 28th March
25th April, 2nd, 9th, 16th, 23rd May
6th, 13th, 20th, 27th June, 4th July
19th, 26th September, 3rd, 10th, 17th October
7th, 14th, 21st, 28th November, 5th December
Wednesdays – in 5-week blocks.
18th, 25th January, 1st, 8th, 15th February
1st, 8th, 15th, 22nd, 29th March
26th April, 3rd, 10th, * 24th, 31st May (no session on 17th)
7th, 14th, 21st, 28th June, 5th July
20th, 27th September, 4th, 11th, 18th October
8th, 15th, 22nd, 29th November, 6th December
Session times: 10.00 am to 12.30 pm, 2.00 pm to 4.30 pm, 6.00 pm to 8.30 pm
Cost £20 per person per session (morning, afternoon or evening). Special price for block of 5 sessions booked together £95. 10 sessions booked together £180.
Each session is strictly limited to 4 artists – ensuring plenty of individual attention. Tea/coffee/biscuits included. Some materials provided for beginners.
Starting on Friday evening (20th May), I’ll be opening my studio as part of the 2016 Harleston & Waveney Art Trail. This year 25 artists will be opening their studios over the weekends of 21st/22nd and 28th/29th/30th May (including Bank holiday Monday). To download a complete pdf version of this year’s brochure with all the studio locations please click this link HWAT 2016 brochure. (It’s quite a big file – so please give it time!)
I shall actually be open everyday in between the weekends too! Please feel free to call any time between 11.00 am and 6.00 pm. There will be coffee and home made cookies! I also start off with a preview evening on Friday 20th from 5.00 to 8.00 pm. Please come along for a glass of wine and a crisp or two!
This year, I’m pleased that we have managed to complete the decoration of our downstairs garden room/gallery in which a range of framed works will be displayed – making a really useful addition to the studio. I’ll be aiming to be painting each day and you’ll see some works in progress as well as a range of drawings and “bargain” studio clearance pictures.
I am very excited to be leading a 5 day plein air landscape painting holiday at Stang Korvenn in West Brittany this September. Stang Korvenn is a beautifully restored and refurbished traditional Breton long house with attached gite run by Jilly and Bryan Cox. Set in 3 acres of secluded woodland in the countryside that inspired Gaugin and his contemporaries, Stang Korvenn provides wonderful accommodation and home produced, locally-sourced food. Located next to the peaceful River Aulne, Stang Korvenn offers easy access to the Brittany coast to the West. Roscoff and the Northern coast are just over an hour away. The medieval city of Quimper is a little over 20 minutes away with its spectacular cathedral, fascinating winding streets, half timbered buildings and chic shops, bars and restaurants. A little further inland lies the quaint lakeside town of Huelgoat with mystery walks into the forest with its enormous boulders like gigantic Henry Moore sculptures. There are painting subjects everywhere!
This will be a very full five days! We’ll be doing lots of painting each day and will include a trip to the Musee des Beaux Arts at Pont Aven, the town where Gaugin established his famous school and where his work (and that of his contemporaries) can be seen. Concentrating on painting directly from the inspiring landscape, each day will include a practical demonstration and/or lesson aimed at creating landscape paintings that are both satisfying studies in their own right and make useful resources for further development into larger paintings when you return home.
The group will be limited to a maximum of 10 participants – offering plenty of scope for me to give individual attention to each painter. The holiday is suitable for any painter, regardless of previous outdoor painting experience. Stang Korvenn also has a barn studio where you can continue to work on your own after each day’s painting sessions or in the unlikely event that there is any inclement weather.
Further details of the dates, costs and course content are here. The page includes a Google map showing the location of Stang Korvenn. Don’t hesitate to get in touch if you would like any further details.
Largely as a result of being a bit unwell over Christmas and New Year, I’m a little late in updating the website and getting out information about everything that’s already planned for 2016! 2015 was pretty busy and I’ve emerged into the cold, bright January air with a really full diary for 2016 and even more deadlines and commitments for the year ahead!
I’ve just sent out a newsletter detailing some of the plans and I’ve updated some of the information on this site about the courses and workshops I’ll be running or teaching throughout the year. If you’re not on my mailing list – you can subscribe here – or I can forward a copy if you email me at firstname.lastname@example.org with “Newsletter Request” in the subject line.
Here are some highlights!
I have an upcoming exhibition of all 64 of my “64 Pictures in 64 Days” project from last summer/autumn. It’s at The Fisher Theatre in Bungay from 23rd January to 23rd February – further details here.
I’ll be teaching lots of workshops at The Art Trading Co in Bungay throughout the year. Details here, here, here, here and here.
I’m running a “plein air” painting course in Walberswick during the Summer.
I’m really pleased to be doing 2 one day courses at Norfolk Creative Arts, a new centre for art tuition and other activities at Grimston, near Kings Lynn. This is a really exciting venture and I’m flattered to be part of it. Specific details of the two workshops are here and here.
Hoping to be a bit more regular in posting during 2016! Mind you, I was taught as a youngster that “the road to hell was paved with good intentions”!
“The world is full of magical things – patiently waiting for our senses to grow sharper.” W B Yeats.
Here I am in early October – wondering why time passes so very quickly! Radio silence has been maintained over the last couple of months – purely because I’ve been so busy with my “64” project on top of an already pretty heavily committed summer. Actually, I have had a really productive (and intensive!) summer and have finally landed in the autumn with a lot of extra experience under my belt.
I’m always full of “good” ideas! The recent “64 pictures in 64 days” project being one that has tested me in lots of ways.
Above are thumbnails of the studies from Day 1 (28th July), Day 32 (28th August)and Day 64 (29th September). They illustrate aspects of my 64 day “journey” (as X Factor would no doubt describe it). Essentially, these are of the same view over our back fence across the water meadow by the river Waveney. It is a view that I love and one that constantly reminds me in times of stress how fortunate we are to live in such a delightful setting.
Various “painterly” things have evolved for me over the last couple of months of regular painting in a square format:
I’ve become tidier “out in the field” – my paint mixing and general palette discipline has improved
I cart far less stuff around with me (mostly using 6 tubes of paint as the basis of all the landscapes)
I (mostly) work more efficiently than before – with less “fiddling about”
I understand that almost any view makes a good subject for a study – this is all about learning to see
I love oil paint even more than before
I’m now even less inclined to work from photos than before
The full collection of 64 pictures is now in a dedicated album. Each 8″ x 8″ study was painted (and in one case drawn) directly in the landscape or from a still life set up in my studio. Aside from very minor bits of tidying up, they are untouched after the painting session in which they were created. Each picture was offered for sale at £64 (unframed + P&P). Several dates were reserved ahead of the painting being made and several sold after being posted each day to a Facebook page and Pinterest board I set up for the project. All currently unsold works will continue to be available at the “project” price for 64 days (’til 3rd December 2015) following my recent birthday on 30th September (the reason for the whole project in the first place!).
I spent most of today at The River Waveney Study Centre (was The Otter Trust) at Earsham just outside Bungay. It’s a big site (with views wherever you turn) and I set up by the new hide overlooking the Scrape. This is where I will be putting my installation as part of the Waveney & Blyth Arts Sculpture Trail later this month. I also painted a second picture from the path by the river. I’m happy with both pictures and they’ll probably both be included in the installation – but I’ve chosen this one as my Day 6 picture.
I’m still working in oils and using these first few paintings to try out some new paints. The paints are from Pip Seymour who uses a wide range of ancient (and more contemporary) pigments and cold pressed linseed oil and makes the paints in small batches. They are a little different to my regular brands (Michael Harding and Old Holland) but I’m getting used to them and very favorably impressed so far. I’ll list the pallet that I typically use outdoors in a future post.
Incidentally, I thought I’d answer the question that no-one has asked – “What are you painting on?”. Well – I’m glad I asked! I am painting on 8″ squares of 6mm plywood which have been given a coat of gesso and sanded to a smooth-ish finish. As the pictures are all quite small, I didn’t want to to have to worry about fighting the texture of canvas or linen and I’ve cut the 64 panels from material that was left over after we’d lined our new studios.
I set off on Day 4 to find somewhere near The Waveney. I’ve often driven the back roads near us in search of painting locations. This quiet little road junction is between Mendham and Homersfield. However, there are very few parking spots on these roads and I’d not noticed anywhere convenient to stop. In the end, I parked up just off the road by the entrance to a field and walked the 50 or so yards to the little triangular island where I eventually set up. Despite being a bright, sunny afternoon,I was not interrupted at all and barely saw anyone bar a couple of cyclists and dog walkers and the odd car or two.
Today I went to Wenhaston. I knew there was going to be a sketching party alongside the Inspired by Becker exhibition at Wenhaston Church. Although I’ve joined in with a couple of previous IBB “sketch outs”, I had limited time available and didn’t know exactly where the scything party (the subject of the sketching session) would be working. So – beneath my sunshade, I chose a quiet spot in a clearing and started to paint. Later a few of the artists from the exhibition came along and the scythers set to on a patch of bracken to my left. By this time, I was well into my “study in greens” and kept going on my oil study. I may add a couple of figures in the studio at a later date!